Works

Eleven featured works, 2019–2026, built on a practice reaching back to 2011 — interactive and immersive systems in which sound organises space, and machine perception is made something an audience can enter. Solo-authored unless credited otherwise. The earlier and collaborative work these grew out of is below.

Machine Perception

Installations where machine vision or a language model reads the room, and the act of being classified becomes the material.

Jakarta Witness — object detection bounding boxes over real Jakarta traffic footage.

Jakarta Witness 2026 · Gold Award, iNVENTX 2026
Paper accepted, ACM SIGGRAPH Asia 2026

Live Performance

Works that happen once, in a room, with performers — sound, light and image scored as one system.

GUILTY — the Serenata Choir of ISI Yogyakarta performing under projected text, opening night ARTJOG 2026.

GUILTY 2026 · Opening night, ARTJOG 2026
with Monica Lim, Morgan May, Serenata Choir ISI Yogyakarta

Ciung Wanara — performance view, gesture-driven projection and live synthesis.

Ciung Wanara 2023 · Harvard University
NIME 2024 Concert, Gaudeamus Festival

Parakletos — a continuous metallic surface folding around a circular aperture.

Parakletos 2021 · Prix CIME residency, ICEM
SOUND/IMAGE Festival, Greenwich

Queers of Java — a performer in a long white fringed train, arms outstretched, Sydney Dance Company.

Queers of Java 2023 · Sydney Dance Company
Sydney WorldPride 2023, with Rianto and Monica Lim

F2 — volumetric generative visual, still from the closing section.

F2 2025 · Premiere, London
Paper accepted, Organised Sound

Immersive & Spatial Environments

Works whose material is space itself — multichannel sound fields, projected environments, and virtual space entered rather than viewed.

Hutan Plastik — multichannel diffusion room, wrap-around projection.

Hutan Plastik 2025 · Ars Electronica, Linz
Nominee, 28th AMI Awards

Dystopia Trilogy — a browser-native VR environment of scanned shopfronts and disembodied forms.

Dystopia Trilogy 2021 · WebVR, browser-native
ICAD XI Jakarta · Piksel Festival · ICMC 2021

SpecGliFed — corner-mapped projection, two adjoining wall surfaces as one continuous image.

SpecGliFed 2021 · SUMONAR, Yogyakarta

Trapped — in-game render, glowing grid lattice with a luminous navigation target.

Trapped 2019 · with Bayu Dirgantoro
Linux Audio Conference, Stanford CCRMA

Electroacoustic & Audiovisual

Time-based image and sound authored entirely in advance — the substrate practice the live and interactive works draw from.

Audiovisual

F2 2025 · Premiere, London
Paper accepted, Organised Sound

Hutan Plastik 2025 · Ars Electronica, Linz
Nominee, 28th AMI Awards

Parakletos 2021 · Prix CIME residency, ICEM
SOUND/IMAGE Festival, Greenwich

Ciung Wanara 2023 · Harvard University
NIME 2024 Concert, Gaudeamus Festival

Continuum — a filmed body undergoing computational dissolution into point-cloud texture.

Continuum 2021 · Commissioned, Pidato Kebudayaan
Dewan Kesenian Jakarta

Electroacoustic

2025: Hutan PlastikMultichannel ambisonic composition, acousmatic diffusion.
2022: Spectral ChaosMultichannel ambisonic, built around a self-built Benjolin circuit. Sonic Saturday, Ars Electronica, Linz.
2022: AntithesisFixed-media, four movements. International Computer Music Conference, Limerick · NYCEMF.
2020: The ReturnTrack 6, Anthology of Contemporary Music from Indonesia, Unexplained Sounds Group, Italy.

Earlier & Collaborative Practice

Electroacoustic composition, audiovisual collaboration, and live performance, 2011–2023 — the foundation the eleven featured works build on, and still an active thread alongside them.

Live Performance

2020–21: Melbourne SorengVirtual world for a VCA / ISI Yogyakarta dance collaboration, with Linda Sastradipradja, Sutanto Mendut and Danny Butt.

Audiovisual

2022: BacötWith Random Brothers. Islandwide Coverage, "Natasha," Singapore Biennale 2022.
2021: Post-Digital RoomGenerative 3D visualization. Exhibition, Bina Nusantara University (BINUS), Jakarta.
2021: Parallax DogVideo mapping work. Video mapping programme, SUMONAR Festival, Yogyakarta.
2020: Covid-19 AttackWith Octavianus. Extended Asia Vol. 2, "Satellite."
2019: Silent EarthquakeWith Random Brothers — modular synthesis music, generative code visuals.

Electroacoustic

2022: Spectral ChaosMultichannel ambisonic, built around a self-built Benjolin circuit. Sonic Saturday, Ars Electronica, Linz.
2022: AntithesisFixed-media, four movements. International Computer Music Conference, Limerick · NYCEMF.
2022: Lockdown (binaural)Opening track, Sounds of Absence, Gruenrekorder, Germany. Curated by Wingel Mendoza.
2020: The ReturnTrack 6, Anthology of Contemporary Music from Indonesia, Unexplained Sounds Group, Italy.
2019: MEMBRANESGroup sound performance, with Elisabeth Schimana, Ikbal Lubys, Random Brothers. ARTJOG 2019, Jogja National Museum.
2017: Angkot Is the Melting PotLive-streamed audiovisual performance with Yola Yulfianti, Komunitas Salihara, Jakarta. Featured in The Jakarta Post.
2017: Matrix StudiesAudience Award, International Computer Music Association, ICMC 2017, Shanghai Conservatory.
2016: Noise to SignalSelected, Pekan Komponis Indonesia, Dewan Kesenian Jakarta.
2016: 90 Seconds of ChaosSound Gallery, 2016 Joint WOCMAT–IRCAM Forum Conference, Kainan University, Taiwan.
2016: Spatial Glitsch4DSOUND Spatial Sound Hacklab, GLOBALE festival, ZKM Karlsruhe. With Suhyun Park, as "Noise Team."
2015: BenjolinEight-channel installation. Soundislands, Nanyang Technological University, Singapore · sines|squares Festival, Manchester.
2015: Frankfurt SoundwalkField-recording album in three movements.
2012–14: KecapiElectroacoustic series in three movements. WOCMAT, Taiwan · Linux Audio Conference, ZKM_Cube, Karlsruhe.
2012: Bali SoundscapeField-recording album in four movements. Reissued on RE-COR, Earwitness, Spain, 2017.
2011: Anti MusicTrack 79, Pekak! Indonesian Noise 1995–2015, Syrphe, Germany.

Full exhibition, performance and publication history on Research.