Patrick Hartono
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Electroacoustic

Matrix Studies

Generative audiovisual composition · 2017

A generative audiovisual composition completed during Hartono's final year at Rotterdam Conservatory (Codarts) — the outcome of experiments with creative-coding platforms he had been running since 2011. Built in Max/MSP, the piece drives audio-reactive visuals directly from algorithmic rules across three linked movements (A–B–A), where the final movement's return is a development of the first rather than a literal repeat.

In 2017 Matrix Studies received the International Computer Music Association's Audience Award at ICMC 2017 — the 43rd International Computer Music Conference, held jointly with the 6th Electroacoustic Music Week at Shanghai Conservatory of Music, 16–20 October 2017 — and went on to further international festival and conference screenings. One of these later screenings is documented on video: an international open-call selection at AudioRocketFes, hosted by Osaka University of Arts' Music Department.

Year
2017 (ICMA Audience Award) · composed 2013–14, Rotterdam Conservatory (Codarts)
Medium
Generative audiovisual composition (Max/MSP), 3 movements (A–B–A)
Award
ICMA Audience Award, ICMC 2017 / 6th Electroacoustic Music Week, Shanghai Conservatory of Music, 16–20 October 2017
Screened
AudioRocketFes, Osaka University of Arts Music Department — international open-call selection
Performed
ARTJOG, Jogja National Museum, December 2019
Watch
youtube.com — Matrix Studies, AudioRocketFes
Matrix Studies performed live, generative visuals projected on a large curved screen.
Matrix Studies performed live, close view of the performer at the laptop with projected visuals behind.

Live performance, ARTJOG, December 2019.

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